Movies are the most powerful tools of social and political propaganda the world has ever known. Consider: America wins wars only when Hollywood supports the conflict and puts itself squarely behind America’s war effort. During World War II, every studio in Hollywood backed the Allied effort against the Axis. Hollywood’s stars enlisted for active duty, raised money for war bonds, toured and entertained our troops, and the studios produced films that went all out for freedom and liberty against the tyranny of Nazi Germany and Imperial Japan. Hollywood played a huge role in America’s victory.
Contrast Vietnam. Hollywood, overwhelmingly anti-war, produced a series of movies that undermined the American effort against the spread of communism in Southeast Asia. Hollywood knew that with a few clever, glossy films (most notably “Coming Home” (’78), starring Jane Fonda and Jon Voight) and their carefully-manufactured anti-war narratives, it could undermine American foreign policy and turn heroic GIs into psychotic baby-killers. America lost Vietnam.
In our times, Hollywood produced several high profile movies that argued against America’s military conflicts in Iraq and Afghanistan. Not one of the films was profitable, but the damage was done. America withdrew from both fronts. IslamoNazis filled the vacuum — and Hollywood will never take notice or assume any responsibility for the chaos and mass murder it helped to create.