How I Married Karen
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I get a fair amount of email from readers asking me about writing.
More specifically, how do I go about writing a movie?
Writing is ninety percent perspiration, ten percent inspiration. In other words do not wait to get struck with inspiration. That’s a load of romantic nonsense. In fact, that’s a sure way not to write. The biggest secret in Hollywood—at least for writers who actually work and make money—is how hard they work. Discipline is the name of the game. Organization is vital. An obsession with the minutae of a story is a requirement. G-d is in the details.
Before our son Ariel Chaim ZT”L passed away in 2003 at the age of twenty-two, he and I spent a good deal of time discussing the Second Amendment, the Right to Keep and Bear Arms.
Ariel was amazed that so many American Jews–overwhelmingly liberal and secular–aligned themselves with the advocates of gun control, in reality a movement to banish the private ownership of guns by lawful citizens.
During the Los Angeles riots of 1992, my wife Karen and I, Ariel and Offspring #2, were inside a film theater. Abruptly, an angry mob congregated outside; soon they were trying to break down the doors. Trapped inside, we were all terrified. I held Offspring#2 in my arms; she shivered like a frightened rabbit. Karen gripped Ariel’s hand. Read More
Movies about war are ideally suited to the kinetic energy of motion pictures. The eternal themes of love, courage, and loyalty are given full range in the theater of war. Readers will immediately notice the absence of silent films and movies from Hollywood’s golden age. Yes, in spite of our love of classic cinema we are the first to admit that sound and modern special effects have rendered most older war movies tame and stylized.
We have also excluded war movies that treat war as “senseless killing” or set forth a pacifist narrative. As far as Seraphic Secret is concerned, a just war is the only method by which moral states can triumph over evil nations. War is too serious a business to be intellectually castrated by fuzzy minds who traffic in moral equivalence.
We concentrate on movies that feature intense warfare, yet whose narrative line does not neglect the more intimate, personal stories. We have eliminated home-front movies, fantasies of good Nazi soldiers ( Auf Wiedersehen, Das Boot), movies about Holocaust victims, tales of spies, and POW movies, sub-genres that—except for good-Nazi movies, historically suspect and morally loathsome—deserve and will receive ten best lists all their own.
As always, we invite our readers to list their own ten best war movies.
MGM’s roster of female stars constituted the greatest collection of beautiful and talented women the world has ever known.
One of the greatest was Ava Gardner.
As an emerging starlet in the early 1940’s, before she made a single movie the breathtaking Southern beauty was the talk of the town.
Mickey Rooney was MGM’s golden boy, a versatile star equally adept at musicals, comedy and drama. His signature role as the small-town youngster Andy Hardy made him something of a cash cow for the studio. The Hardy movies were cheap to produce and earned enormous profits.
In his compulsively readable autobiography, Life is Too Short, Rooney claims that his mother worked as a prostitute in order to put food on the table during the depths of the Depression. Thus, it’s not surprising that Rooney pursued women with an obsessive compulsion, seeking affection and love in all the wrong places: call girls, ambitious actresses and mature women–including Irving Thalberg’s widow Norma Shearer–were smitten by Rooney’s brash boyish charm.
Israeli politicians and American officials in Israel marked the 15th anniversary of the September 11, 2001, terror attacks, with Prime Minister Benjamin Netanyahu saying Israel stands “shoulder to shoulder” with the United States in combating Islamic terrorism.
A few weeks ago I introduced Seraphic Secret readers to my close friend Curt Biren through his astute article about how the Jewish left perverts the true meaning of Tikkun Olam.
Now, Curt has written another fine and timely article for the Acton Institute about the entwined issues of justice and the minimum wage, using the Torah—written and oral—as his primary lens.
The issue of a higher minimum wage — sometimes referred to as a living wage or a just wage — is back in the news, with a number of local and state governments enacting minimum wage ordinances. In the current election season, it continues to be a contentious issue.
Via: Times of Israel
Hundreds of lavish stone floor tiles believed to have decorated the Second Temple in Jerusalem have been identified in rubble removed from the Temple Mount, archaeologists announced Tuesday.
The bits and pieces of 2,000-year-old marble flooring were found in fill removed from the contested holy site in the late 1990s when the Jerusalem Islamic Waqf, the institution overseeing the al-Aqsa Mosque compound on the Mount, carried out excavations as part of the construction of a subterranean mosque in an area known as Solomon’s Stables.
The hot buzzword making the rounds in leftist circles these days is income inequality. Local, state, or federal, not an election goes by when Americans don’t hear that manipulative phrase. Amid the moral blackmail, few find the peace of mind to ask themselves if income inequality is actually bad. A new video from the always trusted Prager U says no.
In his new book, Obamabomb: The Fraudulent Nuclear Deal With Iran, former CIA analyst Fred Fleitz provides an in-depth analysis of the dangers of the nuclear deal with Iran and how the threats it poses to U.S. national security are growing. Fleitz discusses the dishonest campaign conducted by the Obama Administration to prevent Congress from rejecting the agreement, what is really in the deal and how Obama officials are trying to make even more concessions to Iran because Iranian officials claim the nuclear deal was not generous enough to Iran. Although Fleitz believes the nuclear deal is so flawed that it should be torn up by the next president on his or her first day in office, Obamabomb has recommendations on how the agreement might be renegotiated and recommendations for additional sanctions against Iran.
So powerful are Hollywood movies as propaganda that America has never achieved victory in war without Hollywood’s support.
When Hollywood turns against America at war, defeat is assured. Witness Vietnam, the first casualty of Hollywood’s ideological wrath. The Jane Fonda, Jon Voight vehicle “Coming Home” (1978) was a turning point in Hollywood’s leftward tilt. This film convinced large segments of the American public that Vietnam was a war whose moral foundation—the fight against Communist dictatorship—was replaced by a grotesque narrative of veterans broken in body and spirit, who were, ultimately, victims of American imperialism.
Hollywood’s propaganda machine reaches beyond the content of movies into the very lives of movie stars. Certain roles register powerfully with the public in a manner impossible to predict. These performances end up defining an actor in a manner that resonates so profoundly with audiences that any deviation from that persona can thoroughly shatter an image—and a career.
Perhaps the most fascinating example is the career of Ingrid Bergman (1915-1982).
The love affair–and I’m using that term loosely–between Ava Gardner and Frank Sinatra was doomed from the start. Both stars were emotionally immature with little impulse control. Both were alcoholics, and both had a history of affairs with equally unstable partners.
And so The Voice and The Shape plunged into a tsunami of a relationship and a six-year marriage (1951 – 1957) punctuated by unbridled passion, threats of suicide, and metronomic doses of violence.
In Autumn of 1949 Gardner and Sinatra, not yet lovers, were both guests at the Palm Springs home of producer Darryl F. Zanuck. The liquor flowed, and the two stars locked in on each other like missiles.
Here at Seraphic Secret we pay particular attention to the use and abuse of language by the left. The left has always lied and twisted reality to conform to its utopian ideology. But Barack Obama and the leftist media have ushered in a new Orwellian age where their morally depraved rhetoric has gone mainstream. George Orwell understood that those who control language control thought. Thus the American left have staged a quiet coup of public grade schools, most colleges and universities. American children rarely learn. They are now indoctrinated in leftism.
Jewish leftists have long tried to use Jewish texts to support their ideology. It’s a heavy push because Torah Judaism is inherently Conservative. Which is why over 80% of Torah Jews are Conservative Republicans.
Most abused by the Jewish left is the concept of Tikkun Olam. The literal translation is Repairing (or Perfecting) the World. Not surprisingly, leftist/secular Jews claim this concept as part of the social justice movement. But in Torah Judaism there is no such thing as social justice. There is only justice. Social justice is, let’s be clear, code for Marxism.
I recently came across this photo. Let’s translate the poster behind Mara Vishniac, a young Jewish girl and the photographer’s daughter:
“The Marshal and the Corporal: Fight with Us for Peace and Equal Rights.”
Remember the outrage directed at President Bush in 2005 when the flood waters rose in Louisiana during Hurricane Katrina?
Right now, twelve people have died, and over 20,000 citizens have been evacuated from Louisiana. Residents have been warned of disease and snakes. It is a catastrophe.