It is the nights that are the most difficult. Our routine is fixed. Karen continues to work until ten or eleven at night. It is her only escape; the only way she can block the pain from colonizing her mind. As a psychologist, she evaluates tests, writes up reports, makes recommendations. She does this with a remarkable attention to detail. Her patients are lucky; she is attentive, compassionate, realistic. She works with children and their parents. She listens to harrowing tales of domestic conflict, helps them cope with all sorts of conflict and anger. Yet it is Karen who endures more pain than any of her patients. But Karen never lets on. She has never even hinted that all she really wants to do is lie down on her son’s grave and stay there until her bones mulch with his. And so, Karen works until exhaustion takes over. I read. I learn. I write. Sometimes I’ll go into Ariel’s room–unchanged since the day he died–lie down on his bed and smell his pillow, the sheets, feel his imprint in the mattress. I gaze at the room: there are the Transformers he loved as a little boy. There are the pictures of his Rebbeim from High School and Rabbinical College. And, oh look at that, there is his huge Snoopy poster. Ariel loved Charlie Brown. He always said that there was a great deal of Torah to learn from Snoopy and his friends. I leaf through his notebooks and marvel at the clarity of his thoughts on particularly difficult tractates in the Talmud. I head upstairs to our bedroom. I sit in the dark and listen to Karen breathing. Invariably, she begins to violently shudder. She cries out in her sleep, makes strangling, yelping noises like a frightened animal. I slip into bed and hold her. “What is it?” I ask. “Ariel, Ariel,” she sobs. “Where is he? He must miss us,” she says. “We were so close.” I have no answer. All I can do is soothe this brilliant and beautiful woman who I fell in love with when we were ten years old, students together in the Yeshiva of Flatbush. Soon, Karen will drift off again, but the terrible moans and shuddering always accompanies sleep. It is a tornado of grief. A woman’s body remembering the child that grew inside and is no longer. It is her body reacting to the hatchet-drop of tragedy. Karen’s womb is suffering a loss all its own, a phantom limb crying out and insisting on remembrance. The female body is remorseless in its ability ot recall what it has nourished, remembering Ariel’s lips the first week of his birth, smooth as boiled candy. It is night and Ariel is dead and he will always be dead. It is night and Karen convulses and all I can do is hold on, for if I let go I will fall off the bed and never stop falling.
The arrival of Shabbos is a time of awe and delight for observant Jews.
The Kabbalists in Safed used to dress in white and singing with joy they would greet the Sabbath Bride in the mountains.
Here in Pico Robertson, Los Angeles, we too greet the Sabbath albeit with a less romantic gesture.
The Sabbath is a time when the ordinary burdens of the work week are left behind and time becomes consecrated. Every man becomes a king in his home and every woman a queen.
When our son Ariel ZT’L was alive he would spend a great deal of time preparing for Shabbos. He put on his best suit and hat saying: Would you meet with a president or a king dressed as a schlump?
It was something of a running joke in the house that Ariel, no matter how early he started, was almost always late. By the time I was ready to go to shul, Ariel was still awkwardly struggling with his cuff links or wrestling with his tie, trying to get the knot just right. Ariel moved slowly. His weakened lungs made it so, but it was also the pace at which he moved through life. Slow, deliberate, thoughtful. Ariel moved like a man from another century. None of the frenzied 21st century movements for Ariel. No doubt he would have been entirely comfortable in medieval Europe, in the Yeshivas of Provence, studying in the house of Rashi. That was his temprament.
Ariel and I walked to shul together, three short blocks that are as familiar to me as the architecture of my wife’s lovely face. We waved to the other men on their way to the various shuls. We said hello to strangers walking their dogs. Sometimes we talked, but often there was a companionable silence. Ariel was preparing to pray, adjusting his state of mind for a holy dialogue.
In shul, Ariel was often asked to daven for the minyan. He had a beautiful voice and his pronunciation of the Hebrew was perfect. Often, Ariel was the last to finish davening. Here too, he took his time. He spoke to God: a true I and Thou relationship. Frequently, I had to wait for him to finish davening. Everyone else was already gone, on their way home, but Ariel was still shuckling, eyes closed, totally unaware that we were the only two left in shul. I sat and watched him daven and said to myself: How did this saintly young man spring from my loins? How did this happen for I am less than good, far from pious, never close to God; just another struggling schlemiel.
I watched Ariel daven in the empty shul and I remembered when I was a child in Brooklyn, in shul with my father. I gazed in awe as he davened. I felt that here was a man in touch with something I could not even glimpse.
And so, I am watching Ariel, I am watching my father, past and present merging and I say to myself: Let this moment never end Let this moment never end Let this moment never end…
Last night, Karen and I drove to the Long Beach Airport. Our daughter Lila was arriving from New York where she is attending Stern College for Women, the female branch of Yeshiva University. As we drove along the LA Freeway, Karen and I talked about Lila’s plans for the summer. She is interning at an architectural firm. Like me, she’s an art major in college. But unlike me, she has the blessings and support of both her parents. When I told my father that I was majoring in Art History, he looked at me, frowned and said: Is that a serious field of study for an Orthodox Jewish boy? There was no answer, for it was a rhetorical question. When Lila shows me her art work, I have to stop myself from smothering her with hugs and kisses. She has so much talent and yet, she’s so casual about it. In any case, as we drove to the airport Karen and I were both thinking about all the times we picked up Ariel when he came home from Ner Yisroel, his Rabbinical College in Baltimore. We were always so excited to see him, for he had a special hold on us. From the very beginning Ariel was a magical child. Endowed with an amazing intellect, he was also gentle and so very kind that we often worried that he was not made for this world. How could he fight through the normal, every day struggles that rule our lives? How could he deal with the truly unethical and vile people who are all around us? And as it turned out, he does not have to. He is spirit now and Karen and I are left to struggle and fight our way through the long days and nights. A few nights ago, in bed, in my arms, Karen said to me: We’ve become such sad people, Robert. And all I could do was nod and silently cry and hold on to Karen. When Lila came off the plane, Karen ran forward and hugged her. There I stood, watching my wife and my daughter, both so so beautiful that I forgot to breathe for a long second. And in that second I experienced a moment of happiness. It was fleeting, but it was real.
Ever since Ariel died, I find myself crying in the most unexpected of places. I remember the last year of Ariel’s life. I drove him to pulmonary therapy three times a week. I drove him to his medical appointments twice a week. If he was strong enough, I would drive him to shul or to a Torah class. Sometimes we would listen to Jewish music–The Miami Boys Choir, Shalsheles, Mordechai Ben Dovid–and Ariel would tap his hand against his thigh. I remember at one point thinking that Ariel might not make it and the song I’m listening to will always be associated with that unbearable thought. And now, in the car, I don’t have to put the music on. I hear it in my head. I see Ariel out of the corner of my eye. And I drive on the 405 with tears pouring down my face
When Ariel died, I sat shiva. I said Kaddish. I’m still saying Kaddish, just about a month left. Gosh, how I dread not saying the Kaddish for Ariel. It will be a gaping abyss in my davening. I arranged to learn Torah with several Chavrusahs in Ariel’s memory. But nothing seems to be enough. Several months before Ariel died, he and I had a long conversation about books. Most of all Ariel loved to learn Torah. But he also liked to read novels. He adored Jane Austen. The mad shidduch making in Pride and Prejudice brought a big smile to his face. Ariel also loved the Harry Potter series. A triumph of good writing, beautiful plotting and traditional values over the cynical, degraded trends of much in children’s publishing. On Ariel’s bookshelves rest about forty novels written by Avi. The problem, said Ariel, is that there are not enough novels written specifically for observant Jewish kids. Dad, he said, you should start a publishing company. Publish fiction that is of the highest quality, yet is also suitable for kids who hold Torah values. And so, to honor Ariel and his wonderful idea Karen and I have founded Seraphic Press. We have four superb novels in various stages of development and expect to publish our first book, The Hebrew Kid and the Apache Maiden in January 2005. It is the story of an observant Jewish boy in the Old West, his determination to celebrate his Bar Mitzvah, his friendship with the notorious gunfighter Doc Holliday, and his touching relationship with Lozen, a legendary Apache girl warrior. The book is a unique reimagining of the Wild West. To pay tribute to Ariel, The Hebrew Kid’s name is… Ariel.