We continue our survey of the Twenty Greatest Movies of the 1950s.
For the Twenty Greatest Movies of the 1940s, click here.
For the Twenty Greatest Movies of the 1930s click here.
For the Twenty Greatest Movies of the 1920s click here.
19. Some Like It Hot, 1959.
“Look at that!” Jack Lemmon tells Tony Curtis as he watches Marilyn Monroe in awe. “Look how she moves. Like Jell-O on springs. She must have some sort of built-in motor. I tell you, it’s a whole different sex.”
Billy Wilder and I.A.L. Diamond’s screenplay for Some Like It Hot, which some consider the greatest comedy ever produced, nails the Marilyn Monroe personae with an exactitude that is almost frightening.
Billy Wilder (1906-2002) was one of Hollywood’s greatest writer directors.
From the naughty elegance of The Major and the Minor, 1942, in which the grown-up Ginger Rogers disguises herself as a teenager, to the lacerating portrait of Hollywood in Sunset Boulevard, 1950, Wilder’s work stands at the pinnacle of movie craftsmanship.
In the invaluable Conversations with Wilder, by writer-director Cameron Crowe, the 93 year-old Wilder listed ten rules for screenplays that are, for yours truly, the ten commandments of screenwriting.
1. The audience is fickle.
2. Grab ‘em by the throat and never let ‘em go.
3. Develop a clean line of action for your leading character.
4. Know where you’re going.
5. The more subtle and elegant you are in hiding your plot points, the better you are as a writer.
6. If you have a problem with the third act, the real problem is in the first act.
7. A tip from Lubitsch: Let the audience add up two plus two. They’ll love you forever.
8. In doing voice-overs, be careful not to describe what the audience already sees. Add to what they’re seeing.
9. The event that occurs at the second act curtain triggers the end of the movie.
10. The third act must build, build, build in tempo and action until the last event, and then—that’s it. Don’t hang around.