Not a word from these critics about the program’s greatest strength, which is in the accurate rendering of the enemy, and the warning it might give about the need for continual vigilance.
Critics of the program want to argue that a five hour program has collapsed eight years too brusquely. There is, by the way, zero mention in the five hours of the allegations that Clinton let bin Laden slip through his fingers when the terror chief was offered up by Sudan. There is no Atta meeting in Prague, no suggestion of a Saddam history of terror ties unrelated to 9/11 — in short, there is no reaching by the writer/producers/director. It is an objective show, and not one that will cheer the right. But any show that does not praise Clinton or hopelessly conflate the eight years of the Clinton tenure with the eight months of the pre-9/11 Bush Administration is to be condemned.
“The Path to 9/11” is a faithful and compelling recreation within the limits of the craft of the fatal nonchalance of the ’90s, combined with a salute to the hard-working men and women who struggled against the bureaucratic insanities of that era, represented chiefly in the person of FBI Agent John O’Neill, played by Harvey Keitel, and a supporting cast of brave and never-discouraged lower level Bureau and CIA operatives who understood the risks. In trying to deep-six the series, the Clinton forces are trying to silence their story.
To read the rest of Hugh Hewitt’s article, please click here.