“Suicide Killers is a clear-eyed documentary by French-Algerian filmmaker Pierre Rehov who risked his life to interview terrorists carrying out suicide bombings against Israeli civilians. Rehov speaks with the terrorists and their families in the Palestinian areas, visits terrorist training camps, interviews convicted suicide bombers inside Israeli jails, and interviews their Jewish and Arab victims. This documentary reveals quite clearly that terrorists are created not by Israeli or American foreign policy, but by the repression, lack of democratic freedom, and poverty of Arab societies.”
Most chilling to us was the footage of the failed homicide female bombers in the Israeli jails. These young women giggle coquettishly as they describe how beautiful and joyous they will be in the afterlife as they join the ranks of the 72 virgin brides of the male homicide killers.
As I have written before, in some security services, especially among scout-snipers, there is a doctrine called, Kill the Women First. The reasoning is simple: when a woman turns against her nature and becomes a terrorist killer she becomes deadlier than any male. This footage only serves to support this common-sense doctrine. The Muslim women terrorists are beyond evil, they are brainwashed, dry-cleaned, empty of history and logic, unmoored from any cause and effect — beyond nails ripping into human flesh.
There is a problem with this film, the talking heads are, in some cases, as Offspring #3 would say, “really annoying.” Karen and I especially objected to several of the French intellectuals. Their seemingly endless analysis of the hidden sexual motives of the homicide bombers struck us as typically French and, well, just plain overdone. If there is a psychosexual element to the homicide bombers, as they claim, why do parents and toothless old hags get so excited about this form of mass murder? And why did this phenomenon happen now? Obviously sexual repression is not new to Muslim society.
Memo to Rehov: The best footage is of the homicide bombers themselves. Trust your audience. They get it. You don’t need a bunch of pretentious French intellectuals explaining it to us. We can actually identify evil when we see it. Recut film, leave French intellectuals on the cutting room floor.
“From the River to the Sea is an eye-opening documentary about how the UN and Arab nations surrounding Israel have conspired to keep Palestinians in refugee camps without jobs, citizenship, or opportunity, thereby encouraging them to turn to terrorism against Israel. Featuring shocking footage of Palestinian terrorists escaping in UN vans. The film explores the issue of “right of return,” documents the shocking corruption of UNRWA and the PLO in robbing hundreds of millions from Palestinian refugees, and shows the anti-Israeli, anti-Jewish propaganda that is taught to schoolchildren in UN-funded schools in the Palestinian camps. With extraordinary first-hand footage shot by Rehov in Israel, Palestinian areas, and the refugee camps.”
I have often said that the Palis are the greatest welfare witches on the face of the earth. This film bears out my notion at every single turn. Why build a life if you get a welfare check every month?
There is another deeply troubling angle to all this. Several generations of Arabs have grown up and been indoctrinated with complete lies about their national identity and the State of Israel. Their ignorance is appalling. They have not the most elemental facts about the true history of the Arab-Israeli conflict.
Hearing their leaders spout lie after lie is an enraging and then depressing experience. After a while all that’s left is a tremendous weariness for you realize that there really is no room for compromise with such people. They are quite open about their desire to destroy “the Jews.”
They have absolutely no interest in living in a state of their own–no, it has to be “Palestine.” You see there is no Israel–in their tortured diction there is only the hated Zionist occupiers. And make no mistake about it, when they talk about occupation they are talking about the entire State of Israel, not the West Bank.
This conflict has never been about parcels of land. It has always been an existential conflict directed by Muslims Arabs towards Jews. That the Arabs have managed to convince so many in the gullible West that this is about so-called occupation is a triumph of what the Nazis called “The Big Lie.”
After watching both films I realized that the closest historical parrallel I could come up with was Imperial Japan during World War II. They too were unyielding in their belief of their racial superiority, in their right to rule over lesser peoples, in their cruel beheadings, their barbaric treatment of prisoners of war, and their genocidal intentions towards entire civilian populations.
The Japanese people were willing to die in vast numbers for their Emperor, and thousands of soldiers and civilians committed suicide rather than surrender. The only way America was able to defeat this mad nation was to drop two atom bombs on them and make them realize that the price of their barbaric ideology was beyond their imagination.
I am quite certain we are headed in the same direction with the Arab world. At some point the jihadists will commit an act so evil, so horrendous that the West will have no choice but massive retaliation, possibly with nuclear weapons.
I will be participating in a panel discussion regarding “Hollywood and Israel” with Michael Medved, David Zucker and Frank Price on Sunday November 12, at 2:45. I’d love to meet some of my readers at this wonderful event, the only Conservative Film Festival in America, the only Film Festival in America that supports Israel.
To purchase tickets click here.