Shirley Temple

Thanksgiving 2018: The Children of the Children of Israel

November 21, 2018 by Robert J. Avrech 1 Comment

Studio photographers shot millions of still photos of their actors, often with holiday themes. This is the one of the few religiously inclined Thanksgiving stills I have come across. The actress is Barbara Kent, a minor star in the silent ear best known for starring opposite Harold Lloyd in “Welcome Danger” 1929. But her very best role was in a little known but quite wonderful silent film “Lonesome,” 1928. — Studio photographers shot mountains of photographs of contract actors, often with holiday themes. This is a charming Thanksgiving photo. The actress is Barbara Kent, (b. Barbara Cloutman, 1907- 2011) a popular star in the silent era best known for twice starring opposite Harold Lloyd, “Welcome Danger” (1929), and then “Feet First,” (1930). But her very best role was in a little known but quite wonderful silent film “Lonesome,” (1928). Seraphic Secret wrote a memoriam for this lovely actress when she passed away. You can find it here.

As far as I know, there are only two countries in the world that were founded on the idea of hope.

America and Israel.

And what was the hope?

Flashback: When Hollywood Celebrated Christmas

December 24, 2017 by Robert J. Avrech 5 Comments

Mary Pickford helps Hollywood celebrate Christmas, 1920s.

There was a time when Hollywood openly and joyously celebrated Christmas. Now, among the Hollywood elite, the greeting I hear is “Happy Holidays.”

Look, we at Seraphic Secret are Orthodox Jews. This is not our holiday.

But we want our Christian friends to celebrate Christmas. The politically correct Happy Holidays shtick is another nail in the coffin of American culture; another instance where a minority of obnoxious liberals bully the larger culture into secular nothingness.

American Christianity is a unique force for good in world history. It is not the Christianity of Europe that is poisoned with genocidal Jew-hatred.

Hollywood used to celebrate Christmas using every tool in the cinematic playbook.

Friday Photos: True Hollywood Confessions

May 5, 2017 by Robert J. Avrech 8 Comments

“I was never beautiful like Miss Hayworth or Miss Lamarr. I was known as ‘the little brown wren’. Who’d want to get me at the end of the picture? I thought I was the plainest, most unattractive thing ever, and glamour was something I felt was far beyond my grasp. But—and isn’t it funny?—now when I look at my old movies I think I was the most gorgeous creature—simply divine!”
—Bette Davis, 1973

Hollywood: I Drive Therefore I am Free

March 6, 2014 by Robert J. Avrech 22 Comments

Shirley Temple with Baby LeRoy cruising in a Fire Chief car, early 1930s.

The automobile represents freedom.

You climb into a car and go, go, go, whenever and wherever you want. The car is modern man’s path to liberty.

Contrast cars with trains.

Railroads are an expression of the collective. Individual identity is erased. You are at the mercy of a government-controlled system that turns citizens into passive cogs, at the mercy of by-the-book bureaucrats.

That’s why democrats/progressives/liberals/ (what are they calling themselves this week?) are obsessed with high-speed rail. The freedom of the road is repellent to big government fanatics. The ruling elite seek to regulate and control tobacco, food, calories, soda, education, light bulbs, toilets, health care, reproduction, cow flatulence, oxygen — every cell of your body.

In short: liberty is constricted by any and all means.

And all in the name of an amorphous, pre-adolescent concept: Fairness.

And you better believe that the chattering elite are the ones who get to define what’s fair and what’s unfair. Funny how that always works out in their favor.

Nazis just adored trains. And hey, the Italian fascists boasted that Mussolini made the trains run on time. Though Italian trains were about as effective and efficient as the Italian army. Which is to say: Not.

At a certain point, one must acknowledge the convergent philosophies of post-modern liberals and iron-fist fascists. Both ideologies assert the power of the state as the final arbiter of human affairs. Hence, the government replaces G-d and family as the center of man’s universe. It’s no surprise that the formal title of the Nazi party was “The National Socialist German Workers’ Party.”

Anyhoo.

Today, Hollywood celebrities make sure to be seen driving a Chevy Volt, Nissan Leaf, or any of the dopey but politically correct green cars. It is something of an open secret here among my Hollywood colleagues that the garage is fully stocked with BMW, Mercedes, Bentley, and for sure, a few Jags—for real driving.

But once upon a time Hollywood produced great stars who proudly posed with their autos, symbols of glamor, affluence, and freedom.

In Memoriam: Shirley Temple Black, 1928 – 2014

February 12, 2014 by Robert J. Avrech 12 Comments

Shirley Temple arriving at her first main premiere for the film "Wee Willie Winkie" in Hollywood. 1937. Photo by AFP — Shirley Temple arriving at the premiere of her film “Wee Willie Winkie” in Hollywood, 1937. Photo by AFP

Shirley Temple Black passed away yesterday. She was 85. At the height of her career in the 1930s, she was the most popular actress in Hollywood with more drawing power than Clark Gable and Greta Garbo combined.

As a child star during the Depression, the little girl with the 56 perfect corkscrew curls projected determination and optimism to a dispirited nation. In many of her movies, she was a feisty orphan who taught men how to be better men. When her career ended, she was but 22 years old. As for the millions she earned, her father squandered everything. Rather than retreat, like so many stars, into a shell of bitter nostalgia, Shirley Temple moved ahead and forged a new life for herself and her family. She was a great actress and American, a prominent conservative Republican, and a thoroughly decent woman.