Warning: "continue" targeting switch is equivalent to "break". Did you mean to use "continue 2"? in /homepages/15/d750806638/htdocs/clickandbuilds/SeraphicSecret555864/wp-includes/pomo/plural-forms.php on line 210
Warning: Use of undefined constant _FILE_ - assumed '_FILE_' (this will throw an Error in a future version of PHP) in /homepages/15/d750806638/htdocs/clickandbuilds/SeraphicSecret555864/wp-content/plugins/easygravatars/easygravatars.php on line 14
Warning: Cannot modify header information - headers already sent by (output started at /homepages/15/d750806638/htdocs/clickandbuilds/SeraphicSecret555864/wp-includes/pomo/plural-forms.php:210) in /homepages/15/d750806638/htdocs/clickandbuilds/SeraphicSecret555864/wp-content/plugins/wp-math-captcha/includes/class-cookie-session.php on line 46
Warning: Cannot modify header information - headers already sent by (output started at /homepages/15/d750806638/htdocs/clickandbuilds/SeraphicSecret555864/wp-includes/pomo/plural-forms.php:210) in /homepages/15/d750806638/htdocs/clickandbuilds/SeraphicSecret555864/wp-content/plugins/wp-math-captcha/includes/class-cookie-session.php on line 49
Warning: Cannot modify header information - headers already sent by (output started at /homepages/15/d750806638/htdocs/clickandbuilds/SeraphicSecret555864/wp-includes/pomo/plural-forms.php:210) in /homepages/15/d750806638/htdocs/clickandbuilds/SeraphicSecret555864/wp-content/plugins/wp-math-captcha/includes/class-cookie-session.php on line 49
Warning: Cannot modify header information - headers already sent by (output started at /homepages/15/d750806638/htdocs/clickandbuilds/SeraphicSecret555864/wp-includes/pomo/plural-forms.php:210) in /homepages/15/d750806638/htdocs/clickandbuilds/SeraphicSecret555864/wp-content/plugins/wp-math-captcha/includes/class-cookie-session.php on line 49
Warning: Cannot modify header information - headers already sent by (output started at /homepages/15/d750806638/htdocs/clickandbuilds/SeraphicSecret555864/wp-includes/pomo/plural-forms.php:210) in /homepages/15/d750806638/htdocs/clickandbuilds/SeraphicSecret555864/wp-content/plugins/wp-math-captcha/includes/class-cookie-session.php on line 49
Warning: Cannot modify header information - headers already sent by (output started at /homepages/15/d750806638/htdocs/clickandbuilds/SeraphicSecret555864/wp-includes/pomo/plural-forms.php:210) in /homepages/15/d750806638/htdocs/clickandbuilds/SeraphicSecret555864/wp-content/plugins/wp-math-captcha/includes/class-cookie-session.php on line 49 Tony Curtis
“I had to be careful where I went because I was a Jew, because I was young and because I was handsome. It made me wary and erratic and paranoid, which is what I still am. Always on guard.” —Tony Curtis (b. Bernard Schwartz; 1925 – 2010)
“I was a million-to-one shot, the least likely to succeed. I wasn’t low man on the totem pole, I was under the totem pole, in a sewer, tied to a sack.” —Tony Curtis, (b. Bernard Schwartz) on his chances of making it in Hollywood.
Jean Harlow relaxes on the set of Dinner at Eight (1933). Costumes by Adrian, b. Adrian Adolph Greenburg.
Leaning boards ( also called Slant boards) were invented for Hollywood players to relax between takes. Frequently, the costumes were cut on the bias, and tailored so snugly that the actor could not sit down without bursting a ladder of seams. In fact, most of the time, there were no zippers or buttons on the costumes. Actors were sewn into their garments.
So, when you see Jean Harlow in Dinner at Eight, and marvel at the impeccable fit of the famous white silk gown, be aware that Harlow’s mobility was severely limited. In fact, just breathing was something of a chore.
These days, leaning boards are still in use, but they are the exception rather than the rule.
“Look at that!” Jack Lemmon tells Tony Curtis as he watches Marilyn Monroe in awe. “Look how she moves. Like Jell-O on springs. She must have some sort of built-in motor. I tell you, it’s a whole different sex.”
Billy Wilder and I.A.L. Diamond’s screenplay for Some Like It Hot, which some consider the greatest comedy ever produced, nails the Marilyn Monroe personae with an exactitude that is almost frightening.
Ever since there were movie stars there have been star product endorsements.
Corporations and their advertising companies were quick to understand that those larger than life figures floating like angels on the silver screen were potent persuaders. Thus, the synergistic relationship between one product, the movie star, and a consumer product — cigarettes, perfume, makeup, whatever — was born, and continues with increasing power and sophistication to this very day.