World War III
Movies about war are ideally suited to the kinetic energy of motion pictures. The eternal themes of love, courage, and loyalty are given full range in the theater of war. Readers will immediately notice the absence of silent films and movies from Hollywood’s golden age. Yes, in spite of our love of classic cinema we are the first to admit that sound and modern special effects have rendered most older war movies tame and stylized.
We have also excluded war movies that treat war as “senseless killing” or set forth a pacifist narrative. As far as Seraphic Secret is concerned, a just war is the only method by which moral states can triumph over evil nations. War is too serious a business to be intellectually castrated by fuzzy minds who traffic in moral equivalence.
We concentrate on movies that feature intense warfare, yet whose narrative line does not neglect the more intimate, personal stories. We have eliminated home-front movies, fantasies of good Nazi soldiers ( Auf Wiedersehen, Das Boot), movies about Holocaust victims, tales of spies, and POW movies, sub-genres that—except for good-Nazi movies, historically suspect and morally loathsome—deserve and will receive ten best lists all their own.
As always, we invite our readers to list their own ten best war movies.
On the night of December 16, 1944, during the Battle of the Bulge, eight jeep teams made up of German soldiers fluent in English slipped through American lines.
Some carried vials of sulphuric acid to throw in the faces of American guards if they were stopped. Other groups cut communication wires and carried out minor acts of sabotage, such as changing road signs. One Nazi group managed to misdirect an entire group of infantry. [Read more…] about David Niven, Ginger Rogers, and the Battle of the Bulge