“A general view shows the site where a truck ploughed through a crowd at a Christmas market on Breitscheidplatz square near the fashionable Kurfuerstendamm avenue in the west of Berlin, Germany, December 20, 2016 Reuters.”
An Arab Muslim refugee became upset at the gaudy display of infidel lights in Berlin and suffered a tragic case of road rage, killing twelve and injuring scores more.
And of course, the Turkish Policeman who assassinated the Russian ambassador is a case study in police brutality.
Obama never said these things. He was too busy playing golf. But this is classic Obamaspeak. It is the politicization of language whose goal is to self-righteously posture behind gated communities, thus not suffering the consequences of their own wretched policies.
At the same time the Democrats hope to harvest votes from the wider Muslim community by playing the victim card. Which is why Obama is quietly accelerating the pace of admitting Syrian and Somali Muslims to America. You can be sure of two things about these “refugees.” They are pathological Jew-Haters, and among them are more than a few hard core terrorists thirsting for American blood.
But the Democrats have calculated a devil’s arithmetic: they will garner more Syrian and Somali votes in the next Presidential election. And to them, that’s all that counts.
I have to keep reminding myself that Obama and his dangerously adolescent crew of fabulists are exiting stage, ahem, left. President-elect Trump is taking over the helm of state and bringing with him a capable and Conservative—meaning they see the world as it is not how they wish it to be—cabinet and administration.
In reaction to the terrorist outrages in Germany, Switzerland and Turkey, President-elect Trump tweeted:
“Today there were terror attacks in Turkey, Switzerland and Germany – and it is only getting worse. The civilized world must change thinking!”
He also put out a statement blaming the Berlin attacks on Islamism and noting the symbolism of an attack on the Christian celebration of Christmas.
“Innocent civilians were murdered in the streets as they prepared to celebrate the Christmas holiday. ISIS and other Islamic terrorists continuously slaughter Christians in their communities and places of worship as part of their global jihad.”
“These terrorists and their regional and worldwide networks must be eradicated from the face of the earth, a mission we will carry out with all freedom-loving partners.”
“Islamic terrorists.”
These two words have been banished from the Democrats’ vocabulary for eight long years.
The absence of these two words is one of the reasons Democrats lost the national and a vast majority of state elections.
Americans are sick and tired of leftist-speak, the Orwellian devolution of truth and common sense.
The vehicle as a weapon of mass murder was birthed by so-called Palestinians (an IslamoNazi by any other name) against the Jews of Israel.
The atrocity in Germany is yet another harsh reminder that what starts against the Jews (excused and justified because it’s, y’know, only Jews) metastasizes across the globe.
Remember: Jews are the canary in the coal mine of civilization.
Ariel Chaim Avrech, ZT'L, May His Righteous Memory be a Blessing.
3 Comments
OT but I just finished “Five Who Came Back, “ about the directors who spent the war filming documentaries for the Army and Navy. George Stevens was with the units that came upon the death camps in Germany. He filmed thousands of feet at the camps and constructed two documentaries that were shown as evidence at the Nuremburg Trials.
He never made another comedy after the war. That had been his thing in the 30s and Katherine Hepburn tried to get him to do another but he never did. “A Place in the Sun” was his first feature after his return. I must have seen it 20 times when I was in college. It was a cult movie for a lot of us.
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The first film George Stevens directed after the war was I Remember Mama with a de-glamorized Irene Dunne in the lead. And as much as I love Irene, the is a film I wanted to like rather than actually feeling any involvement. Stevens also, uncredited, directed and co authored some sequences in On Our Merry Way.
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The making of Shane reflected a lot of George Steven’s World War II experience too. He felt that too many westerns trivialized death. He really worked on the sound effects for the gunfire and the people dying
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