Dolores Del Rio

Friday Photos: True Hollywood Confessions

March 15, 2019 by Robert J. Avrech 7 Comments

“I was not a born actress. No one knows it better than I. If I had any latent talent, I have had to work hard, listen carefully, do things over and over and then over again in order to bring it out.”
—Jean Harlow

Friday Photos: True Hollywood Confessions

January 19, 2018 by Robert J. Avrech 8 Comments

“She didn’t want to be famous. She wanted to be happy.”
—Clark Gable on Jean Harlow

Friday Photos: True Hollywood Confessions

October 20, 2017 by Robert J. Avrech 12 Comments

“Too many divorces for so small a town. But then you mustn’t forget that Hollywood is a hard place to be happy unless you’re so absorbed in your work that you haven’t time to get into mischief. I do believe what I say when I tell you that no married person should leave husband or wife alone in Hollywood. There’s too much temptation. Think of all the charming, intelligent people out there.”
– Dolores del Rio

Friday Photos: True Hollywood Confessions

May 20, 2016 by Robert J. Avrech 4 Comments

“Hollywood, what a place it is! It is so far away from the rest of the world, so narrow. No one thinks of anything but motion pictures or talks of anything else.” —Dolores del Rio — “Hollywood, what a place it is! It is so far away from the rest of the world, so narrow. No one thinks of anything but motion pictures or talks of anything else.”
—Dolores Del Rio

Hollywood Stars and Their Cars: I Drive Therefore I Am Free

October 17, 2013 by Robert J. Avrech 37 Comments

The great director King Vidor (The Big Parade, The Crowd) behind the wheel of this unidentified car, 1920s. — The great director King Vidor (The Big Parade, The Crowd) behind the wheel of this nifty unidentified car.

The automobile represents freedom.

You climb into a car and go, go, go, whenever and wherever you want. The car is modern man’s path to liberty.

Contrast cars with trains.

Railroads are an expression of the collective. Individual identity is erased. You are at the mercy of a government-controlled system that turns citizens into passive cogs, at the mercy of by-the-book bureaucrats.

That’s why democrats/progressives/liberals/ (what are they calling themselves this week?) are obsessed with high-speed rail. The freedom of the road is repellent to big government fanatics. The ruling elite seek to regulate and control tobacco, food, calories, soda, education, light bulbs, toilets, health care, reproduction, cow flatulence, oxygen — every cell of your body.

In short: liberty is constricted by any and all means.

And all in the name of an amorphous, pre-adolescent concept: Fairness.

And you better believe that the chattering elite are the ones who get to define what’s fair and what’s unfair. Funny how that always works out in their favor.

Nazis just adored trains. And hey, the Italian fascists boasted that Mussolini made the trains run on time. Though Italian trains were about as effective and efficient as the Italian army. Which is to say: Not.

At a certain point, one must acknowledge the convergent philosophies of post-modern liberals and iron-fist fascists. Both ideologies assert the power of the state as the final arbiter of human affairs. Hence, the government replaces G-d and family as the center of man’s universe. It’s no surprise that the formal title of the Nazi party was “The National Socialist German Workers’ Party.”

Anyhoo.

Today, Hollywood celebrities make sure to be seen driving a Chevy Volt, Nissan Leaf, or any of the dopey but politically correct green cars. It is something of an open secret here among my Hollywood colleagues that the garage is fully stocked with BMW, Mercedes, Bentley, and for sure, a few Jags—for real driving.

But once upon a time Hollywood produced great stars who proudly posed with their autos, symbols of glamor, affluence, and freedom.