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“I was a homely kid with freckles that came out every spring and stuck on me ‘til Christmas. I was glamorous because of magicians like George J. Folsey, James Wong Howe, Oliver Marsh, Ray June, and all those other great cinematographers. I trusted those men and the other experts who made us beautiful. The rest of it I didn’t give a damn about. I didn’t fuss about my clothes, my lighting, or anything else, but, believe me, some of them did.” —Myrna Loy
Joan Blondell and Douglas Fairbanks Jr., in “Union Depot.”
The camera swoops majestically through an enormous train station picking out individuals in the crush of humanity: soldiers, sailors, hookers, pickpockets, cops, Pullman porters, immigrants in peasant garb. This exhilarating opening is a tour de force of vignettes with characters delivering rapid fire dialogue perfectly timed to the swirling, unfettered movement of the G-d like camera.
A Snobby Society Dame steps up to a newsstand:
“Do you have Town & Country?”
Newsstand Owner replies in thick Yiddish accent:
“I had one, but they took it away from us 3,000 years ago.”