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“There’s a very fine line between underacting and not acting at all. And not acting is what a lot of actors are guilty of. It amazes me how some of these little numbers with dreamy looks and a dead pan are getting away with it. I’d hate to see them on stage with a dog act.” —Joan Blondell
“I was a million-to-one shot, the least likely to succeed. I wasn’t low man on the totem pole, I was under the totem pole, in a sewer, tied to a sack.” —Tony Curtis, (b. Bernard Schwartz) on his chances of making it in Hollywood.
Mia Farrow on the set of Rosemary’s Baby (1968, dir. Roman Polanski)
“I appeared in every single scene of the film [Rosemary’s Baby], except when, during [the impregnated with Satan’s spawn sequence] a body double was used in my place. But I didn’t entirely miss out on the scene—one day I found myself—me from convent school, who prayed with outstretched arms in the predawn light – tied to the four corners of a bed, ringed by elderly, chanting witches, while a perfect stranger with bad skin and vertical pupils was grinding away on top of me. I didn’t dare think. After finishing that scene the actor climbed off me and said politely, in all seriousness, ‘Miss Farrow, I just want to say, it’s a real pleasure to have worked with you.’“ —excerpted from Mia Farrow’s What Falls Away [Read more…] about Friday Photos: True Hollywood Confessions