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“When I die, my epitaph should be: I died a thousand deaths. That was the story of my film career. Most of the time I played in mystery and intrigue stories. They didn’t know what to do with me at the end, so they killed me off.” —Anna May Wong
Rita Hayworth in the famous gown Jean Louis designed for Gilda, 1946 Jean Louis: “But, you know, Columbia didn’t have many stars to design for. They had Rita Hayworth. Period. So I tried to make everything for her very special, because it was also my chance to do things, to do special things. She was very easy. She wore what we gave her. Rita was absolutely the most marvelous girl, but she stand like this, and that’s it, you fit her. She hate to fit. ‘Get me out of it.’ That’s it. That’s all she says. But I had great freedom in how I dressed her. She never, never said I don’t like one thing – she’s really wonderful, no trouble. With Rita you always had to design to show off her body – not her legs, but her body; I mean you couldn’t put her in a business suit. Not because the studio would have objected, but because that was her personality. Rita Hayworth was known for that, for being a beautiful woman, and people didn’t want to see Rita Hayworth in a business suit.” —excerpt “People Will Talk” by John Kobal
“Unlike writers or painters, we don’t sit down in front of a blank canvas and say, ‘How do I start? Where do I start?’ We’re given the springboard of the text, a plane ticket, told to report to Alabama, and there’s a group of people all ready to make a film and it’s a marvelous life.“ —Albert Finney R.I.P. 1936-2019