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Mia Farrow on the set of Rosemary’s Baby (1968, dir. Roman Polanski)
“I appeared in every single scene of the film [Rosemary’s Baby], except when, during [the impregnated with Satan’s spawn sequence] a body double was used in my place. But I didn’t entirely miss out on the scene—one day I found myself—me from convent school, who prayed with outstretched arms in the predawn light – tied to the four corners of a bed, ringed by elderly, chanting witches, while a perfect stranger with bad skin and vertical pupils was grinding away on top of me. I didn’t dare think. After finishing that scene the actor climbed off me and said politely, in all seriousness, ‘Miss Farrow, I just want to say, it’s a real pleasure to have worked with you.’“ —excerpted from Mia Farrow’s What Falls Away [Read more…] about Friday Photos: True Hollywood Confessions
Hard at work, John Lee Mahin, one of Hollywood's greatest screenwriters.
From where do we draw wisdom?
First and foremost, Seraphic Secret relies on Torah, on the lessons of 3,000 years of Jewish history and the common sense advice of my wife Karen.
And then there are the movies, a moral landscape of immeasurable power where searing images and razor-sharp dialogue deliver lessons in human character that, for better or worse, shape modern man’s consciousness.
I know it seems ludicrous if not downright blasphemous noting Torah and movies as primary influences but the mind of yours truly, a screenwriter and movie-lover, is a stage of raging intellectual conflicts.
Here are several prime slices of dialogue that elegantly and economically reveal secret corners of our hearts and minds.