—Jean Harlow
[Read more…] about Friday Photos: True Hollywood Confessions
Friday Photos: True Hollywood Confessions
—Jean Harlow
Marlon Brando
—Jean Harlow
Friday Photos: True Hollywood Confessions
—Lauren Bacall
[Read more…] about Friday Photos: True Hollywood Confessions
Friday Photos: True Hollywood Confessions
“I would prefer to live forever in perfect health, but if I must at some time leave this life, I would like to do so ensconced on a chaise lounge, perfumed, wearing a velvet robe and pearl earrings, with a flute of champagne beside me and having just discovered the answer to the last problem in a British cryptic crossword.”
[Read more…] about Friday Photos: True Hollywood Confessions
Friday Photos: True Hollywood Confessions
![Marlon Brando applying his make-up on the set of On the Waterfront (1954, dir. Elia Kazan) “[In On the Waterfront] there was a scene in a taxicab, where I turn to my brother, who’s come to turn me over to the gangsters, and I lament to him that he never looked after me, he never gave me a chance, that I could have been a contender, I coulda been somebody, instead of a bum…It was very moving. And people often spoke about that, ‘Oh, my God, what a wonderful scene, Marlon, blah blah blah blah blah.’ It wasn’t wonderful at all. The situation was wonderful. Everybody feels like he could have been a contender, he could have been somebody, everybody feels as though he’s partly bum, some part of him. He is not fulfilled and he could have done better, he could have been better. Everybody feels a sense of loss about something. So that was what touched people. It wasn’t the scene itself. There are other scenes where you’ll find actors being expert, but since the audience can’t clearly identify with them, they just pass unnoticed. Wonderful scenes never get mentioned, only those scenes that affect people.” -Brando, quoted in Lawrence Grobel's Conversations with Brando (1993)](http://www.seraphicpress.com/wp-content/uploads/2015/06/brando.jpg)
“[In On the Waterfront] there was a scene in a taxicab, where I turn to my brother, who’s come to turn me over to the gangsters, and I lament to him that he never looked after me, he never gave me a chance, that I could have been a contender, I coulda been somebody, instead of a bum…It was very moving. And people often spoke about that, ‘Oh, my God, what a wonderful scene, Marlon, blah blah blah blah blah.’
It wasn’t wonderful at all. The situation was wonderful. Everybody feels like he could have been a contender, he could have been somebody, everybody feels as though he’s partly bum, some part of him. He is not fulfilled and he could have done better, he could have been better. Everybody feels a sense of loss about something. So that was what touched people. It wasn’t the scene itself. There are other scenes where you’ll find actors being expert, but since the audience can’t clearly identify with them, they just pass unnoticed. Wonderful scenes never get mentioned, only those scenes that affect people.”
-Brando, quoted in Lawrence Grobel’s Conversations with Brando (1993)
Hollywood — Play Ball!
Ever since Hollywood invented itself as a universal dream factory, movies about baseball were viewed as the perfect landscape in which to explore themes of loyalty, ambition, competition, and of course, love.
More than any other sports genre, baseball movies have dominated the silver screen.
And of course, Hollywood publicity departments frequently used baseball to promote and sell their stars.