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“I married Nicholas Ray, the director. People yawned. Later on I married his son, and from the press’s reaction you’d have thought I was committing incest or robbing the cradle!” —Gloria Grahame
America has long had a love affair with the automobile. Cars are the ultimate expression of form, function, fashion — and speed.
But most of all the car represents freedom.
Try and remember when you were a teenager yearning for your driver’s license so you could hop into daddy’s car and go, go, go. It didn’t matter where, you just wanted to burn rubber and escape into the far horizon.
The exhilarating and touching American Graffiti (’73) is the ultimate expression of American car culture. Every scene takes place in a car, or beside a car.
Los Angeles was the first America city built to accommodate the automobile. And the movie stars of Hollywood’s Golden Age, most born dirt-poor, expressed delight in their sudden prosperity and fame by purchasing and posing with their dream machines.