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“I always felt I was a nobody, and the only way for me to be somebody was to be—well, somebody else. Which is probably why I wanted to act.” —Marilyn Monroe, Photo by Elliott Erwitt, 1956
Four studies of Leda by Leonardo da Vinci. In Greek mythology, the God Zeus transforms himself into a swan and travels to Earth to seduce a a beautiful lady named Leda. She gives birth to Polydeuces and Helen, AKA Helen of Troy. The date of this chalk and ink work is 1506, and executed while Da Vinci lived in Milan. The dimensions are 17.7 x 14.7 cm. The completed “Leda and the Swan”painting is lost.
Years ago, on Shabbos evenings, when our children were little, I would frequently grab an art book, sit in my chair, and one of the kids would climb into my lap. We’d turn the pages, look at the pictures, and make up stories about the figures in the paintings.
Ariel, Z’TL, was intrigued by the Dutch painters of the Seventeenth Century: Jan Steen, Peter de Hooch, Vermeer, and Rembrandt. Offspring #2 and #3, girls, inclined to the High Italian Renaissance: Botticelli, Titian, Raphael, Da Vinci, and Michelangelo.
One memorable night, I opened a book devoted to the sketches of Leonardo da Vinci.
Offspring #2 was about 5 years old at the time, and after leafing through a few pages, she grew bored. She wanted lush colors, luminous light, and dramatic figures in mysterious landscapes. Leonardo’s drawings were too stark, too black and white. And Leonardo’s anatomy drawings… totally gross.
Then I turned to Leonardo’s four sketches for the head of Leda.