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Ava Gardner, The Killers, 1946, the film that made her a star.
MGM’s roster of female stars constituted the greatest collection of beautiful and talented women the world has ever known.
One of the greatest was Ava Gardner.
As an emerging starlet in the early 1940’s, before she made a single movie the breathtaking Southern beauty was the talk of the town.
Mickey Rooney was MGM’s golden boy, a versatile star equally adept at musicals, comedy and drama. His signature role as the small-town youngster Andy Hardy made him something of a cash cow for the studio. The Hardy movies were cheap to produce and earned enormous profits.
In his compulsively readable autobiography, Life is Too Short, Rooney claims that his mother worked as a prostitute in order to put food on the table during the depths of the Depression. Thus, it’s not surprising that Rooney pursued women with an obsessive compulsion, seeking affection and love in all the wrong places: call girls, ambitious actresses and mature women–including Irving Thalberg’s widow Norma Shearer–were smitten by Rooney’s brash boyish charm.
Here at Seraphic Secret we try to remain optimistic. However, after six years of Obama, this state of mind becomes increasingly difficult to maintain.
IslamoNazis are on the march all across the globe. Iran edges closer to becoming a nuclear power even as Obama touts what a good friend Iran could be. ObamaCare is, as we knew it would be, a disaster. Perhaps most disturbing of all is the ubiquitous presence of the race baiting, tax cheating Al Sharpton in the White House. Sharpton is no ordinary professional demagogue like Barack Obama. Sharpton is a proven liar, and a toxic Jew-hater who provoked a pogrom in Brooklyn that lead to multiple deaths.
And this is the man who has become Obama’s de facto Minister of Blackishness, or something.
The trick in writing dialogue for movies is to write as little as possible.
Less is more.
But when you do use dialogue, every word counts; every word a precious jewel that, ideally, delivers the proper balance of tone, characterization, and story.
Here are a few examples of brilliant dialogue where we learn everything we need to know about the leading man’s attitude… towards women.
Dead Reckoning (’47) Humphrey Bogart to Lizabeth Scott: “You know, the trouble with women is they ask too many questions. They should spend all their time just being beautiful.”